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Rob Brewer posted in the group Black and White Photography
Ghostly
Canon EoS R, 1/10 sec, f/5.6, ISO 200, Lens Canon Rf 24-105
#Monochrome2024
#BlackAndWhitePhotography
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Rob Brewer posted in the group Black and White Photography
Hard Work Pays Off……..
Canon EoS R, 1/125 sec, f/8, ISO 100, Lens Canon Rf 24-105
#Monochrome2024 #BlackAndWhitePhotography
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#DPCPeopleLifestyles
Portrait and Lifestyles Category
1 Comment -
Rob Brewer posted in the group Black and White Photography
I know what you are thinking………….
Canon EoS R, 1/125 sec, f/8, ISO 100, Lens Canon Rf 24-105
#Monochrome2024 #BlackAndWhitePhotography
___#WeeklyPhotoAwards2024
#DPCPeopleLifestyles
Portrait and Lifestyles Category
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Rob, I enjoy the simplicity of this black-and-white portrait, particularly the models expressions, your triangular composition, and the bold edit. Perhaps cropping slightly from the bottom could emphasise the strong facial structures and expressions even more. Another Photo Award—congratulations!
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Rob Brewer posted in the group Black and White Photography
Untitled
Canon EoS R, 1/125 sec, f/8, ISO 100, Lens Canon RF 24-105
#Monochrome2024 #BlackAndWhitePhotography
___#WeeklyPhotoAwards2024
#DPCPeopleLifestyles
Portrait and Lifestyles Category
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Rob Brewer posted in the group Black and White Photography
Beauty Is In The Eye Of The Beholder
Canon EoS R, 1/125 sec, f/9, ISO 100, Lens Canon RF 24 – 105
#Monochrome2024
#BlackAndWhitePhotography
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Rob Brewer posted in the group Black and White Photography
I am the Power.
Canon EoS R, 1/100 sec, f/8, ISO 100, Lens Canon 70-200
#Monochrome2024
#BlackAndWhitePhotography
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Really felt like we had ZZ Top in for a shoot. Both Bennie and Morne were great and I got some great shots.
ISO 100, 1/125 sec at f/9 Canon EosR, 63mm. Handheld.
#BlackandWhitePhotography #PortraitPhotography #RobBrewer
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Excellent black-and-white portrait! The directional lighting is superb, with great separation of the black tones against the pure black background. It’s a fantastic example of how to showcase a masculine subject.
#ProPhotoCritique