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Danie Bester posted in the group Daily Photo Digest
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Edward Ruthven posted in the group Wildlife Photography
Feed Us.
Canon EOS RP, f5.6, 1/400sec, ISO 500, Sigma 70-200mm Sport with 2*Convertor.
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John Griffin posted in the group Wildlife Photography
Title: ‘Conflicting Stripes’
5DMk4, Tamron 150-600mm, 1/1000 sec at F5.6, ISO 400, Basic edit in Lightroom, Photoshop for deep etching, Lightroom for final edit.
#WildlifePhotography #Black and White
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I love the dynamism of this shot, but I personally think that removing the backdrop detracts from its impact. To me, it starts to resemble a digital effect, and while it may appeal to many, I feel it transforms a fairly good natural image into something akin to digital art. In my view, it would have been the perfect shot if the zebra behind the…Read More
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Thanks for the comments Danie. Appreciated!. The inclusion of the watermark was an error
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DPC posted in the group Daily Photo Digest
In the past month, we explored a range of iconic images, each with their own unique elements. However, what's fascinating is the common thread that runs through these portraits: each photograph uses light, form, and setting in a captivating manner to tell a compelling story. Whether it's the strong narrative elements in Ritts' "Fred with Tires," the timeless elegance in Avedon's "Dovima with Elephants," or the raw power captured in Sander's "Powerhouse Mechanic," each image draws us into a different world while maintaining these core artistic principles. Click on the thumbnails to view the images in a lightbox and select your favourite photo. We're keen to see which one stands out for you! Feel free to elaborate on your choice in the comments section.
Which is your favourite iconic photograph: Ritts' "Fred with Tires," Avedon's "Dovima with Elephants," or Hine's "Powerhouse Mechanic"?
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Side by Side Comparison
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DPC posted in the group Daily Photo Digest
Herb Ritts. Fred with Tires, The Body Shop, Los Angeles, 1984
Photo Credit: Mutual ArtToday we’re posting another iconic image by Herb Ritts, ‘Fred with Tires’ which is one of his most celebrated works and singled out for its masterful interplay of light, shadow, and form. This photograph is part of a larger series of images featuring Fred and t…Read More
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Riette Jonker posted in the group Mobile Photography
I took this photo tonight with my phone because I really loved how the older building contrasted with the new, modern one behind it. Even though it’s much smaller, the white chapel looks absolutely majestic.
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We like it, Riette. Mobile phones are handy indeed, but using your camera could offer much more creative scope. Next time, include your settings, technique description, and shooting time. As a Pro member, you’re eligible for critiques, enabling us to provide more targeted feedback.
From what we can gather, your photo seems to have been taken…Read More
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DPC posted in the group Daily Photo Digest
Herb Ritts. Stephanie, Cindy, Christy, Tatjana, Naomi, Hollywood, 1989
Photo Credit: WikipediaHerb Ritts was an American fashion photographer celebrated for his captivating black-and-white portraits. One of his seminal works is a 1989 photograph featuring Stephanie Seymour, Cindy Crawford, Christy Turlington, Tatjana Patitz, and Naomi…Read More
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I remember seeing this photo almost two decades ago when I was just starting in photography. The way it arranged so much beauty in a tight, triangular formation of bodies really struck me. It had a big impact on how I view great photography.
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DPC posted in the group Travel and Landscape Photography
Our session with Jon offers insighful tips for landscape photographers.
#JonKerrin #LandscapePhotography #AstroPhotography #StarTrails
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Good afternoon gents. Just finished watching this video and I found it quite informative. Thank you Danie and Jon.
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Glen Fouche posted in the group Action Photography
I spent a lot of time trying to capture motion in one frame, and forgot about the background images, the stationary images that show motion.. Understanding the sport is vital, and although these images are still, the emotions are enormous, and the concentration is immense.
ISO 200, f2.8 @ 500th sec. I needed to try and seperate the subject from…Read More
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Excellent work, Edward. You are telling us such a beautiful story here—perfect exposure, sharp as it gets, with a beautiful background. You played the waiting game with this Masked Weaver and got precisely what you hoped for: the two big, hungry mouths to feed in the nest. Congratulations!