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Renate Laaks posted in the group Photo Themes
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Ray Jeong posted in the group Photo Gear Talk
Who smooths skin like a pro—Retouch4Me, Aperty, or Evoto?
It’s the ultimate beauty battle, and no pixels were harmed (we think).skinretouching #retouch4me #aperty #evotoai #editing
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Ray Jeong posted in the group Photo Gear Talk
Mark Bennett faces a full-blown camera crisis—but don’t worry, the NiSi JetMag Pro saves the day like a magnetic superhero.
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Kim Backer posted in the group Street Photography
This article explains when you might need a permit and how laws can vary depending on your location. It’s not extremely long, but it’s pretty eye-opening, especially if you’re planning to shoot in busy areas or for commercial projects.
Just thought it might be useful for others here too…Read More
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#Retha Stoltz Portrait 5Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#Retha Stoltz Portrait 4Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
-
Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#RethaStoltz Portrait 3Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
-
Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#RethaStoltz Portrait 2Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
-
Portraits in Passing
#ICM2025
#IntentionalCameraMovement#RethaStoltz Portrait 1
Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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About Me

Bruna Mentrup
TUTOR
I started my wildlife photography journey with nothing but a passion for capturing what I had seen unfold before me for years.
Determined I could achieve that, I set out with the most basic equipment, and eventually, my efforts were rewarded.
I, fortunately, love travel and being in my own company, so I spend months on the road in perfect partnership with the animals, great light, and the landscape. My confidence grew, and my images started to speak for themselves; so did my range of equipment, as did the awards.
My proudest moment was being made a Licentiate by the Photography Society of South Africa. I take so much pride in the steps I have taken, and it gives me such joy to see my work in magazines and hanging on walls of game lodges across Africa.
My philosophy is that anyone can acquire technical skills in photography. Still, you need heart, passion and a deep connection with what is around you to capture the finest of what Mother Nature has on offer.
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DPC Wildlife Expedition 2024
- 27 March 2024













