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Jon Kerrin posted in the group Travel and Landscape Photography
Sometimes it just isn’t possible to capture everything in a single shot. Using multiple shots with different settings can help achieve a cleaner image with a better dynamic range.
3 image (milkyway, person, foreground)
Milkyway and Person: ISO3200, f/2.8, 25sec
Foreground: ISO500, f/4, 40mins
2 Comments-
Thanks for the session last night Jon. Really informative. I often shoot starscapes in the bush but it is a problem to do extremely long exposures as it is not a good idea to stand quietly in the dark for 40 minutes, particularly if there are lions about
. I usually take the foreground shot before it gets totally dark and then expose for the stars…Read More
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Jon Kerrin posted in the group Travel and Landscape Photography
Incorporating creatures that inhabit the local environment into your landscape images is a powerful way to tell a greater story about the landscape, and envoke an emotional repsonse your audience.
ISO160, f/11, 1sec
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Jon Kerrin posted in the group Travel and Landscape Photography
Capturing moving subjects in landscapes in low light is never easy, but with the right settings and a gentle hand in post-processing you can get magic results.
ISO500, f/9, 1/320sec#LandscapePhotography #JonKerrin #DPCTutor #NightPhotography
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Jon Kerrin posted in the group Travel and Landscape Photography
Light and shadows adding depth and contrast to the vibrant fields of the Overberg
ISO160, f/8, 1/160sec
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Jon Kerrin posted in the group Travel and Landscape Photography
March Lilies of the Tankwa Karoo with stormy skies behind.
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Jon Kerrin posted in the group Travel and Landscape Photography
Capturing a larger than life full moon in a single image using the compression that a telephoto lens offers
ISO160, f/11, 1/25sec#LandscapePhotography #JonKerrin #DPCTutor #NightPhotography
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Bruna Mentrup posted in the group Wildlife Photography
Continuation: Capturing Wildlife in Low Light
The Kill (Leopard)
1/250sec – f/4,5 – ISO 500 – Nikon D4 – Nikon 200mm Lens – Focal length 310mm – Flash did fire – Off camera light – Camera support – Manual ModeDuring one of our game drives, I spotted this female Leopard dragging her prey high up into a tree. She made sure her catch was secure and…Read More
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DPC posted in the group Daily Photo Digest
Charles C. Ebbets. Lunch atop a Skyscraper, New York City, 1932
Photo Credit: WikipediaLunch atop a Skyscraper is an iconic black-and-white photograph taken on September 20, 1932. It shows eleven ironworkers seated on a steel beam, 260 meters above ground level, during the construction of the RCA Building, now known as 30 Rockefeller Plaza.…Read More
1 Comment-
In this photo, Charles C. Ebbets stands high above New York City with a bulky camera in hand. He looks cool and confident, even in a situation that would make most of us dizzy. He’s known for taking risks to get the perfect shot, and this picture shows that spirit perfectly.
How far would you go to get the photo you want?
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Jacques van der Westhuizen posted in the group Portrait Photography
From a quick studio session I did a couple of months ago.
Model: Ruan Jurgens
Fujifilm X-T3. Fujinon 50 – 140mm F/2.8, SS: 1/250s, Ap: F/8.0. Split lighting used for dramatic effect.#portraitphotography #portrait #StudioLighting #OffCameraFlash #FlashPhotography
2 Comments-
The split lighting is perfect, and the separation between your subject’s right shoulder and the backdrop is well-executed. We would have liked to see a bit more of your subject’s face, and the head might be better if not as tilted. Overall, a well-executed low-key portrait.
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Thank you. I really appreciate the critique. I will pay attention to the points mentioned in future shoots.
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#photographygoals This is already an extraordinary picture, but hearing the story behind capturing this just moved it into a different category. Thanks for sharing, Jon.