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John Griffin posted in the group Portrait Photography
“Footsteps”
5DMk4, Tamron70-200, 1/200 sec at f8.0, ISO 250, Tripod, Godox 685 Speedlight gelled magenta camera left and Yongnuo YN600 gelled cyan camera right.
Shot in my ‘home studio’ (read garage) with a black cloth background. Shot as a dramatic colour image. Post production in Lightroom and Photoshop, background from Google images. -
DPC posted in the group Daily Photo Digest
Steve McCurry. Dust Storm, Rajasthan, India, 1983
Photo Credit: Lightfoot TravelThis is one of McCurry’s favourite images, a striking composition—a group of women huddled together amidst a dust storm with some pots in the foreground, anchoring the frame and bare trees in the background. The ethereal desert setting is brought to life with a war…Read More
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Nolan Lister posted in the group Portrait Photography
Hard light portrait using a single light with hard reflector.
5D MK3 with 70-200mm lens.
#BlackandWhitePhotography #PortraitPhotography
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Portrait and Lifestyles Category -
Nolan Lister posted in the group Portrait Photography
Model portrait using a filter. 1 light with a beauty dish and grid.
Hasselblad H4D with 80mm 2.8 lens. Shot at 2.8.
#BlackandWhitePhotography #PortraitPhotography
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Portrait and Lifestyles Category -
Jacques van der Westhuizen posted in the group Portrait Photography
A quick portrait of my son. I was playing with back lighting. My vision for this was a mysterious and dramatic B/W portrait. I wanted to emphasize the tattoo on his arm.
Fujifilm X-T3, ISO 160, 1/160 sec, F/8, 50-140mm F/2.8
4 Comments-
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Jacques, your use of rim lighting for separation is great, yet the focal point remains unclear as your subject’s brightly lit tattooed forearm commands much visual attention. Considering the subject’s masculine demeanor, it seems you were aiming for a dark, moody portrait. Adding a bit more fill light, or lighting a part of his face in an…Read More
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Jacques van der Westhuizen posted in the group Portrait Photography
I took this photo during one of @trompie-van-der-berg ‘s On Locaction Lighting workshops. I went for a more dark and dramatic B/W edit.
ISO 160, 1/2000 sec, F/2.8, Fujifilm X-T3, 50-140mm
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Jacques van der Westhuizen posted in the group Portrait Photography
Close up B/W portrait. (Cropped close during editing). Impromptu portrait shoot in my small home studio. Due to a low ceiling, I could not get the height of the flash very high. Key light was an AD200 Pro and the hair light/fill light a Godox V860ii.
ISO 160, 1/250 sec, F/8. Fujifilm X-T3, 50-140mm F/2.8
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Rob Brewer posted in the group Portrait Photography
A couples shot of Michaela and Tyler before the went to London for Top Model UK
ISO 100, 1/125 sec at f/10. Canon EosR, 60mm. Handheld.
#BlackandWhitePhotography #PortraitPhotography #RobBrewer
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Portrait and Lifestyles Category -
Rob Brewer posted in the group Portrait Photography
This one is a bit more recent. It was shot at a Studio Lighting course, where we all though Mike looked like a great model – I recon the shot came out ok 🙂
ISO 100, 1/125 sec at f/7.1. Canon EosR, 50mm. Handheld.
1 Comment-
#ProPhotoCritique
A well executed portrait of Mike, but for a character portrait where the emphasis is on expression and facial features, a tighter crop could be more effective. Reducing the space above and below his face would draw more attention to his expressions and the nuances of his character. Regarding the watermark, while it’s important…Read More
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About Me

Angelina
All kind of art
I am a wild card, full of life and love to try all kind of things. Photography is one of my greatest passion, and love to capture moments. To creat things that are different. And to learn more things keep life interesting. I am married with 3 kids joy of life. I am a child of God and He is my reason to live life to the fullest. I also work for myself, in all art thing.
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#ProPhotoCritique
John, your subject is blending into the brick wall background. This is a common issue, especially with red/orange-toned bricks that closely match the tone of Caucasian skin. Additionally, the texture of the bricks makes it hard to distinguish the subject. To improve, consider moving your subject away from the backdrop or using a…Read More