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Frances Fujii posted in the group Photo Themes
#FrancesFujii
Kits at Play
#ICM2025
#IntentionalCameraMovement -
Frances Fujii posted in the group Photo Themes
#FrancesFujii
Intersect
#ICM2025
#IntentionalCameraMovement -
Ray Jeong posted in the group Photo Gear Talk
Mark Bennett faces a full-blown camera crisis—but don’t worry, the NiSi JetMag Pro saves the day like a magnetic superhero.
Watch him wrestle with long exposures like it’s a National Geographic special.
It’s ND filters, laughs, and epic landscapes all in one:📷
Now Sony SA has a promoti…Read More
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Kim Backer posted in the group Street Photography
This article explains when you might need a permit and how laws can vary depending on your location. It’s not extremely long, but it’s pretty eye-opening, especially if you’re planning to shoot in busy areas or for commercial projects.
Just thought it might be useful for others here too…Read More
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#Retha Stoltz Portrait 5Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#Retha Stoltz Portrait 4Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#RethaStoltz Portrait 3Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement
#RethaStoltz Portrait 2Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Portraits in Passing
#ICM2025
#IntentionalCameraMovement#RethaStoltz Portrait 1
Portraits in Passing abandons the fixed certainty of traditional portraiture. These images are encounters — fleeting, partial, sometimes indirect. Through intentional blur and vibrant movement, the subject becomes a moment, not a monument.
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Some of my images and the story of Kolmaskop.
Africa Namib Desert.In Kolmanskop, the sand-filled buildings of a former diamond mining town attract tourists by the thousands.
Brightly colored wallpaper peeling off the walls, dilapidated houses now inundated in rolling banks of sand … this is Kolmanskop, a ghost town in southern A…Read More
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