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This video introduces Adobe Lightroom and Lightroom Classic, focusing on managing your photo library and streamlining your post-production workflow.
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Albertus van jaarsveld posted in the group Photo Gear Talk
Looking for essential lens filters? These are the lens filters every photographer and content creator should own. Let’s hear what Anthony Gugliotta has to say about it, and don’t miss his 3 buying tips!
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Albertus van jaarsveld posted in the group Photo Gear Talk
Looking for a lens comparison? The SIGMA 28-105 f2.8 and the TAMRON 35-150 f2-2.8 are going head-to-head in this review, and it’s a tough choice! Let’s hear what Jared has to say about it.
#JaredPolin #FroKnowsPhoto #SIGMA28-105 #TAMRON35-150 #LensReview
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DPC posted in the group Photo Gear Talk
Three months ago, we posted a tutorial by Lee Morris on Speedlights, and in this follow-up video, he corrects a few mistakes from the earlier one. Make sure to watch that first video before checking out this one!
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Bruno Verolini posted in the group Buy and Sell Photo Gear
Anybody have a Canon Speedlite 430EX or 580EX flash for sale at a reasonable price.
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This was Part 1 of our series on building a photography portfolio, where we focused on how to create a stunning portfolio in Lightroom Classic.
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Take a look back at Danie’s B&W Portrait edit of Minnette.
It’s on an older version of Lightroom, but this is still a fine edit.![Profile Photo]()
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Denver Riddle provides a solid introduction to using color grading in Lightroom.
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DPC posted in the group Photo Gear Talk
Sigma is renowned as one of the top optical equipment manufacturers globally. This video offers a fascinating glimpse into the intricate process of making a camera lens by the esteemed Japanese company.
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Meagan Lubbe
Director at Lumia Studio. DPC Photoshop Tutor.
I focus on the little details to see the bigger picture. From the precise editing of minuscule details in high-end photo retouching right through to getting my fingers dirty with paint in all the colours of the rainbow, my passion for everything and anything creative is what drives me to create and achieve the extraordinary.
If I had to choose, I’d go for the Sigma 28-105mm f/2.8. I’d probably use the wider 28mm focal length more than the Tamron’s longer reach, even though it doesn’t go as wide as the Canon 24-105mm f/2.8, which, in my opinion, is the true Swiss Army knife of professional zooms. Still, both lenses are incredibly versatile, and I’d be happy with either!