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Split Toning for Colour Studio Portraits
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I’ve always loved using split toning for B&W photos to create contrast and mood, but recently I’ve realised how transformative it can be for colour portraits, especially in the studio. By balancing **cool tones** in the shadows and **warm tones** in the highlights, you can add a cinematic quality and…Read More
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DPC posted in the group Photo Gear Talk
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Bruno Verolini posted in the group Buy and Sell Photo Gear
A colleague of mine has a secondhand Hahnel Triad 60 Lite tripod, in very good condition, but is missing the camera “plate” adaptor (not familiar with proper name). If anyone has a spare or one available for sale please advise.
Alternatively, should anyone be interested in purchasing the tripod please drop me a message. -
DPC posted in the group Photo Gear Talk
With the Sony 28-70 f/2, some call it the best zoom lens ever—or even a prime lens killer. Hear what Dustin has to say!
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DPC posted in the group Photo Gear Talk
Sony’s latest flagship camera, the Sony A1 II, has just been launched, and Jared breaks down all the details in his latest video.
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In this video, we look at tools and techniques to improve image quality and bring out vibrant details through the use of camera RAW.
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DPC posted in the group Photo Gear Talk
Exciting news for Canon users! Sigma’s 18-50mm f2.8 lens for Canon RF is finally here. Wondering how it performs? Let’s see Jared’s take on this new release!
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This is Part 2 of our introduction to Adobe Lightroom and Lightroom Classic, focusing on editing techniques.
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About Me
Meagan Lubbe
Director at Lumia Studio. DPC Photoshop Tutor.
I focus on the little details to see the bigger picture. From the precise editing of minuscule details in high-end photo retouching right through to getting my fingers dirty with paint in all the colours of the rainbow, my passion for everything and anything creative is what drives me to create and achieve the extraordinary.
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Francois Jansen
@francois
Danie Bester
@daniebester
The competition is impressive. I never thought any lens could truly compete with Canon’s 28-70mm f/2, but this one seems to hold its own in every way—while being much smaller and lighter!