André Kertész. Washington Square (Tracks in Snow), February 24, 1966
Credit: Heritage Auctions

In “Washington Square (Tracks in Snow), February 24, 1966,” Kertész revisits a setting that closely resembles his other works. This practice of elevated perspective and returning to familiar settings was a well-known trait of his photographic style, further emphasising his mastery of recurring themes and settings.

Again, like with our previous discussion, this photo engages the viewer with its bird’s-eye perspective, carefully layered from top to bottom. Two large circular shapes intertwine with more subtle footpaths and fences, filling the frame with appealing geometry. Amid this structured backdrop, a lone figure strolling in the snow becomes the focal point. This small human presence reinforces the idea that human subjects, even when really small in the frame, often carry more visual weight than any other element.

Adding another layer of interest are the vertical elements—lampposts and trees—scattered across the scene, particularly the taller lamppost in the bottom half. These vertical features beautifully contrast with the dominant circular elements, making the image a balanced and visually rich composition.

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