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DPC posted in the group Daily Photo Digest
Andreas Gursky. The Rhine II, 1999
Photo Credit: The Tate Museum—
Andreas Gursky’s “The Rhine II” is a digitally manipulated photograph that displays the River Rhine flowing horizontally between green fields beneath an overcast sky. It ranks among the most expensive photographs ever sold. While the image appears simple, it represents a contemporary interpretation of German Romantic landscapes, exploring the interplay between nature, human-made structures, and the transformed landscape.
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Most Expensive Photograph at the Time
In 2011, “The Rhine II” was auctioned for $4.3 million at Christie’s New York, setting a record as the most expensive photograph sold at that time. The piece is large-scale, measuring 73 x 143 inches (185.4 x 363.5 cm), a hallmark of Gursky’s work. Its digital manipulation garnered criticism from some quarters.—-
Gursky’s Style and Technique
Andreas Gursky is celebrated for his large format prints, offering a distinctive viewpoint on our surroundings and offers distinct clarity, and meticulous detail. His works, often heavily manipulated through digital techniques, frequently depict landscapes, architecture, and human scenes through an objective lens. Interestingly, many of his images evoke feelings of detachment, emptiness, and void, creating a minimal emotional connection with viewers. Rather than conveying a singular message, his pieces are often described as “cool” or “detached,” reflecting his dispassionate photographic style and the vastness he often depicts.—
Highly regarded by collectors, Gursky has cemented his reputation as a fine artist, exhibiting both consistency and a clearly identifiable style. He has left an indelible mark on contemporary art, redefining conventional photography paradigms. The size and detail in his works often draw comparisons to paintings and regardless of individual opinions his art rarely leaves viewers indifferent; Most find themselves either deeply captivated or starkly opposed to his style—a hallmark of a most true artists.
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Notably, several of Gursky’s works rank among the top 20 most expensive photographs ever auctioned:
– Paris, Montparnasse (1993), auctioned for $4.5 million at Christie’s Paris in 2013.
– Rhein II (1999), fetched $4.3 million at Christie’s New York in 2011.
– 99 Cent II Diptychon (2001), sold for $3.3 million at Sotheby’s New York in 2006.
– Chicago Board of Trade III (1999), went for $3 million at Christie’s New York in 2013.
– 99 Cent (1999), acquired for $2.5 million at Sotheby’s New York in 2007.—
#AndreasGursky #PhotoDigest #FineArtPhotography #RhineII #ExpensivePhotograph #Photohopped #DigitalManipulation
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A good time to create debate or discussion with this post. With the availability of very versatile software editing tools and now the use of AI, my question is when does authenticity play a part in how creative or capable a photographer may be. How does one measure his abilities or artistic skills not knowing to what extent editing has in fact created the piece of wonder that people are in awe of. Of course art is very subjective and if someone likes the finished product so be it but, at what point do critics have a true say whether a photograph is magnificent if they are possibly unable to really distinguish between editing and authenticity. Is the skill of the artist based on his photography skills or his editing capabilities? Of course, the other elements of photography like composition etc play a vital role and as such perhaps it would be useful to possibly also create a genre of photography based on authenticity whereby editing is limited only to a handful of tools much like was used in the dark room days. Just asking.